London GardenMusic StudiosLondon Garden Music Studios

Example design brief

Compact relocatable studio for a producer and bagpiper

A professional music producer who also plays the bagpipes wants a compact studio of roughly 2.5 by 3 metres externally, with at least 2.3 metres of internal height, and asks whether the building could be dismantled and rebuilt at a future property.

A compact demountable producer studio on a ground-screw base
Drawn from a real enquiry and anonymised. This is a design exercise, not a completed or commissioned project, and nothing here is a promise of measured performance.

What the customer needs

  • A compact footprint close to 2.5 by 3 metres externally.
  • At least 2.3 metres of finished internal height.
  • Enough isolation for bagpipe practice, one of the loudest acoustic instruments, at reasonable hours.
  • An honest view of what decibel reduction is realistic in a compact build.
  • A clear answer on whether the studio can be moved, what relocation involves and what portable construction gives up.

The constraints

  • At this footprint every centimetre of wall build-up costs usable floor, so isolation, treatment and space are in direct tension.
  • Bagpipes produce sustained high sound pressure, so the small room has to work much harder than its size suggests.
  • A demountable structure cannot rely on wet trades or continuous sealed plasterboard, which changes how airtightness is achieved.
  • 2.3 metres of internal height plus floor and ceiling build-ups pushes the overall height toward planning limits near a boundary.

Our design response

  • A panelised twin-skin design engineered as a kit: bolted structural connections, gasketed junctions and surface-run services, so it can come apart without destroying the acoustic shell.
  • Mass concentrated in demountable layers, with gasket seals doing the work that mastic would do in a permanent build.
  • A ground-screw foundation, which suits a future move better than a slab and needs no concrete in a small garden.
  • A frank specification note on the trade-off: a relocatable build of this size gives up some low-frequency performance against an equivalent permanent build, and the design states where.

What only a survey can answer

  • Where the studio sits relative to boundaries, which decides the height route through planning.
  • Practice hours and whether the pipes are played with drones at full volume or with practice reeds.
  • The likelihood, timing and destination of a future move, which decides how much to invest in demountability.
  • Access at the current property for panel sizes, and a view on likely access at the next one.

Tell us what you need to keep in, and what you need to keep out

Describe your instruments, your speakers, your working hours, the size of your garden, how close the neighbours are, the access route, your budget and your timeline. We reply with an honest view of feasibility and the right next step.

Request a studio assessment