The business exists because of a gap we kept seeing: garden room companies selling insulation as soundproofing, and acoustic consultancies with no appetite for muddy boots. A music studio in a London garden needs both disciplines in one team, from the first conversation about what you play to the last bead of sealant.
What We Will Not Claim
This site carries no fabricated testimonials, no invented star ratings, no stock photographs dressed up as completed work and no guaranteed decibel figures. Where the industry pads its pages, we would rather show working: three real enquiries published as worked design briefs, with the constraints and our responses in full.
As real projects complete, they will appear with real photographs and, where customers agree, measured results. Until then, absence of a gallery is not absence of substance; it is what honesty looks like at the start.
How We Work
Every project runs through the same thirteen-stage process: use and noise assessment first, then survey, concept, acoustic specification, planning, and a staged build with payments against progress. The sequence exists so acoustic decisions precede structural ones and money follows visible work.
The specification is explained, never asserted. If you want to know why a wall has five layers or why your garden argues for ground screws over a slab, you will get the reasoning, and the same honesty extends to telling you when a cheaper route serves you better.
How This Site Is Written
The guides on this site are maintained by our editorial team, working from published planning guidance, established acoustic engineering practice and the questions real customers ask. Every guide carries a last-reviewed date, and anything we cannot verify does not get published.
Where the law or the physics is genuinely uncertain, the pages say so plainly rather than manufacturing confidence. Planning positions are always described as guidance to be confirmed for the specific property, because that is what they are.